“It is a tough job those philosophers have who want to rank beauty as one of the absolute values. When you call something beautiful all you mean is that it excites a specific state of feeling in you, but what that something is depends on all manner of circumstances. What sort of an absolute is it that is affected by personal idiosyncrasy, training, fashion, habit, sex and novelty? One would have thought that when once an object was recognized as beautiful it would contain enough of intrinsic worth to retain its beauty for us indefinitely. We know it doesn’t. We get tired of it. Familiarity breeds not contempt perhaps but indifference; and indifference is the death of the aesthetic emotion.
“A thing of beauty is not, as Keats said, a joy forever; it is a thing that excites in us a particular emotion at a particular moment, and if it does that it gives us all that beauty can give. It is absurd to despise people who don’t share our aesthetic opinions.” – Somerset Maugham.
Living in Bangalore has been a beautiful experience so far in that it has bestowed the opportunity for me to observe a variety of people in a truly cosmopolitan setting and their manner and actions have many a time been a source of not a less pleasure.
At times, I wonder whether we really observe what goes on around us or are we too preoccupied and more often than not react with indifference. For I have come to recognize that if we do observe people – friends and strangers - and nature, we’d be amazed at how beautiful an environment we are in.
Consider these:
You walk along a busy thoroughfare and look up towards the sky to find a group of birds flying their way on an exquisite blue background.
In the morning as you walk to the bus stop, you find an old man pillion-riding in a two-wheeler driven by his daughter with his face basking in a faint glow of pride.
You catch a young woman smiling to herself in reflection of some pleasant memory just before reaching your seat.
As you ride back home after work, you see the round orange sun playing hide and seek with you between tree tops and roof tops.
You see a young couple with their kid daughter on a walk; the young one holding her parents’ hand symbolic of blind trust and gauge from the parents’ satisfied faces, their happiness and pride and catch in their smiling eyes a thousand dreams and ambitions waiting for fulfillment.
As you walk to have your dinner, you observe a mother trying to feed a toddler; the little one stubbornly shakes her cute head this way and that; the mother in a tone of pleading affection struggles to balance the curd rice filled plate and the baby.
Do we ever find beauty in these things or have we forgotten the fact that little things like these can go towards making each of our days a lot better!!
Staying very much close to this topic, I cannot help but mention here this incident that so moved me one day. I was practicing this observation (If I may claim so J) sitting on the upper portion of a mini-hill structure close to a nearby temple when I happened to notice a curious pattern:
Young couples, if they happen to come together to the temple stop at the foot of the structure. To climb the structure requires some initial guts but it cannot be termed daunting either. One has to be just careful with the first few steps that one makes and then it is an easy climb thereafter. The girl first looks into the eyes of the boy with an expression that appears to convey something like “You know that I can climb on my own. But, you can help me take the first few steps by lending me your hand.” The boy’s look says something like “I understand that you can climb on your own. But since you need my hand, I am only too glad to help you.”
On that one day, this was a uniform trend and upon observing the looks exchanged, I was convinced that the World is beautiful. One has only to observe and one shall never fail to notice beauty!!
Current affairs, good books, movies and just musings and observations on anything under the sun!!
Saturday, December 29, 2007
Thursday, December 13, 2007
Part of the cheering crowd!!
The area around M G road and Cubbon road wore a festive look. One could see the Indian tricolor everywhere. She was on sale for anything between 30 and 200 rupees depending on how much one was willing to bargain on and what size one had in mind. The atmosphere was one of eager expectancy and excited talk. People got their faces painted in saffron, white and green, draped themselves in the three colors and were all head towards the Chinnaswamy stadium. All of Bangalore – from the vegetable vendor next door to the omnipresent IT professional – waited for India to continue from where she had left the previous day.
Starting at 365/5, the day saw another run feast with several records getting rewritten. The crowd at the stadium was witness to:
Ganguly alias the Bengal tiger, reaching his maiden test double century,
Irfan Pathan on a comeback scoring his first test century,
Bangalore registering its highest ever innings total and many more such records.
Starting at 365/5, the day saw another run feast with several records getting rewritten. The crowd at the stadium was witness to:
Ganguly alias the Bengal tiger, reaching his maiden test double century,
Irfan Pathan on a comeback scoring his first test century,
Bangalore registering its highest ever innings total and many more such records.
In India, cricket to borrow a cliché is a religion and if anyone needed proof, the applause and roar of the crowd should be proof enough. Add to that, Sourav Ganguly was playing a flawless game that was a pure pleasure to watch. I don’t know what it is about left handers that make their game beautiful particularly when they are in good form.
How can one forget to mention the redoubtable master in this context – Brian Lara – when he is at his best? Sadly though, West Indies cricket is at its lowest ebb and one can only hope that things start to fall in place soon. Enough digression!!
When we were anxious at the fall of Karthik, who perished yet again to a foolish shot, in walked Irfan Pathan, and made the day a truly unforgettable one for himself in his career. He treated the bowlers with true disdain in his innings which was dotted with four hits that cleared the ropes by quite a good distance. The crowd couldn’t have asked for more…
Some were desperately trying to get themselves into the television screens. The Bengal tiger suddenly became Bangalore tiger and every chart had something to say about how good the NEO sports team was!!
The sweltering heat (The weather pundits got it completely wrong once again for a partly cloudy forecast turned out to a brightly sunny morning) didn’t dampen a trifle the enthusiasm and energy of the Indian fan. But the Pakistani fielding though it was mostly patchy wasn’t left unappreciated either when the occasional dive was on show.
When the Pakistanis came out to bat in the final session, all eyes were on the Indian fielders. When Pathan and Harbhajan came to field at the third man position near our stand, the crowd kept calling them hoping that they would at least for a moment turn their heads and acknowledge the mass. It was akin to getting a rare darshan at close quarters in a temple.
When Kumble struck trapping Hameed leg before, the jubilation reached a high point. After all, the Jumbo was a local boy recently elevated to lead the Indian eleven. Debutante Ishant too got the crowd’s attention and respect he’d have hardly expected. But in a game that is adored by millions that should hardly be a matter of surprise.
The Chacha from across the border was briefly the cynosure of all eyes. A little boy was relentlessly crying out ‘Dravid!! Dravid!!’ and ‘Salman Butt, out!!’. His cries rose above the din and every once in a while a face would try to search among the multitude for the source of that enthusiastic cry.
As the Pak batsmen got into the groove, the crowd started to leave in little groups perhaps because some of them had got more than their money’s worth for the day. As we got up and started walking towards the exit, we could still hear the roar of the people and our heart was heavy with a tad of disappointment that the day had drawn to a close, but nevertheless our tired faces glowed with satisfaction too, having been witness at last to what every avid cricket lover would yearn for in is life – Watching A good day’s play.
Sunday, November 25, 2007
THE HINDU v THE TIMES OF INDIA: Venue - Bangalore
At first glance the title would look like a contest, in a sense it is - for readership!!
I have been reading The Hindu for close to six years now ever since I inculcated the habit of reading a newspaper. My relationship with The Times is relatively recent having started after I moved to Bangalore from Chennai.
This post is an attempt at bringing out my own feelings on reading these two dailies by looking at what they offer the public.
Somnath Chatterjee while speaking on the occasion of the National Press day on November 16 said: “Except for some honorable exceptions, today the political leanings and political predilections of newspapers and TV channels are well known, and these obviously affect dispassionate presentation of news and also views”. Precisely this has resulted in the facts getting distorted and ultimately the public is left with confusion as they are at a loss in discerning which TV channel or newspaper is presenting the facts as they are.
This begs the question: Can facts be laid before the public as they are, without distortion?
Edit pages:
The Hindu’s editorial to this day is being advocated as an everyday lesson in improving vocabulary and reading comprehension skills by trainers of competitive examinations to the aspiring students. Apart from that, it used to attract my attention first everyday. But of late, there is a palpable lack of objectivity so much so that one can feel the anti-right, and hence left leaning editorial policy. This was evidently pointed out by several readers but expectedly the response of the reader’s editor has been that he has little influence over the editorial policy. I feel sad that this has led to the loss of ‘impartial and objective’ feel of the column.
On the other hand, the op-ed articles have class written all over them and this is because the paper has some of the best writers writing for it. Their columns are a pleasure to read and one can’t help but be marveled by their in-depth knowledge over what they report. Some noteworthy names include Harish Khare, Nirupama Subramanian, Vladimir Radyuhin, Siddharth Varadarajan, Pallavi Aiyar, P S Suryanarayana, Ramesh Thakur, P Sainath and Praveen Swami.
The Times of India on the other hand does not to my knowledge captivate the reader to that extent with its editorial. But my humble perception is that its leanings are a bit difficult to discern just from the editorials alone.
The pieces that stand out and attract good readership are the regular ‘The Speaking tree’ which has discourses by spiritual gurus apart form several motivational writings. The sacred space with some shrewdly drawn choicest inspirational quotes is another of my favorites. The two distinctly different views (Times view and counter view) provide the reader enough room to see issues from opposite perspectives immediately. It would take me some time to appreciate more the regular writers as I feel my experience is a trifle short. But the Sunday columns by Swapan Dasgupta, Shashi Tharoor, Ankleshwar Swaminathan Iyer, Shobha De and Jug Suraiya certainly hold my interest.
Finally sample this to know the starkly different editorial stands…
On Nandigram, the following is how the editorials of the two dailies read:
The Hindu: “The Governor’s public statements on Nandigram both challenged the wisdom of the government’s approach and came down on the side of the critics of its action. Further, Mr. Gandhi laid himself open to the charge of remaining silent when the supporters of the Left Front were at the receiving end. His conduct through this crisis has been constitutionally indefensible. The Central government, which depends on the Left for survival, has eventually responded to the request by the Government of West Bengal by releasing a battalion of the Central Reserve Police Force for deployment in the Nandigram region.”
The Times of India: “There are reports that the state's law enforcement machinery blinked when organised groups took human shields and 'recaptured' land and erstwhile homes of CPM workers who had been driven out of Nandigram by the Save Farmland Committee (SFC) activists. The immediate task before the government is to open a dialogue with all the aggrieved people in Nandigram. CPM leaders can lecture the governor on constitutional propriety after that.”
To conclude this comparison, I cannot but help draw attention to what Sevanti Ninan who regularly writes on ‘Media matters’ for The Hindu magazine had written in his article titled ‘Polarised coverage’ relating to the reportage on Nandigram: “Is the CPM the chief perpetrator of the current violence as The Indian Express, The Times of India and The Telegraph among others have reported? Or is it the Maoists and the Trinamool as The Hindu has reported?”
I consider it beyond my abilities of discernment to take either side.
Bangalore times V Metroplus:
The Hindu’s Metroplus is like a conservative maiden clad in a sari who expects the reader to probe and exact what he wants while BT is like a contemporary lass who draws the reader in…
On a more serious note, the Metroplus team needs to do more if it wants the readership of the Bangalore junta. It doesn’t even have the movie listings in the city which by contrast the Chennai edition provides. I wonder why this difference? BT makes no bones about what its focus is on. Covering the latest rumors mills, scandals and gossips, it is Page 3 happenings all the way…
The Hindu magazine v Times Life:
The Hindu magazine is a joy to read. With articles by Kalpana Sharma (Women’s issues), Sevanti Ninan (Media matters), V Gangadhar (Slice of Life) and many others, it has something for all age groups and classes to look forward to.
By contrast, The Times Life is aimed at the youth and the average upwardly mobile urban middle class Indian.
Another area where The Hindu emerges a clear winner is in the literary review section every month. It has interviews of established novelists and reviews of the latest releases – fiction and non-fiction, English and vernacular.
Miscellaneous:
Prominent difference also lies in the presentation of news. While The Hindu falls under the classical school in this regard, The Times of India is more favoring experimentation with a tad more success. Right from photographs to headlines of news stories, The Hindu feels it is better off being classically stylish. But it has not been without its cost.
The people in Bangalore prefer The Times of India more to The Hindu. The reasons are manifold. They range from the perception of The Hindu by some sections as more of a ‘Chennai based daily also published in Bangalore’ to its old school style of reporting.
The Hindu can do much better in some areas while The Times can also improve in some areas. If they do so, ultimately the common man in the street who awaits his newspaper by his side before his first sip of coffee is the beneficiary.
I conclude this post with the following words of George Orwell that have in them something that our journalists need to bear in mind: “A writer must never be a loyal member of a political party”.
Because if he is, it is objectivity that suffers…
I have been reading The Hindu for close to six years now ever since I inculcated the habit of reading a newspaper. My relationship with The Times is relatively recent having started after I moved to Bangalore from Chennai.
This post is an attempt at bringing out my own feelings on reading these two dailies by looking at what they offer the public.
Somnath Chatterjee while speaking on the occasion of the National Press day on November 16 said: “Except for some honorable exceptions, today the political leanings and political predilections of newspapers and TV channels are well known, and these obviously affect dispassionate presentation of news and also views”. Precisely this has resulted in the facts getting distorted and ultimately the public is left with confusion as they are at a loss in discerning which TV channel or newspaper is presenting the facts as they are.
This begs the question: Can facts be laid before the public as they are, without distortion?
Edit pages:
The Hindu’s editorial to this day is being advocated as an everyday lesson in improving vocabulary and reading comprehension skills by trainers of competitive examinations to the aspiring students. Apart from that, it used to attract my attention first everyday. But of late, there is a palpable lack of objectivity so much so that one can feel the anti-right, and hence left leaning editorial policy. This was evidently pointed out by several readers but expectedly the response of the reader’s editor has been that he has little influence over the editorial policy. I feel sad that this has led to the loss of ‘impartial and objective’ feel of the column.
On the other hand, the op-ed articles have class written all over them and this is because the paper has some of the best writers writing for it. Their columns are a pleasure to read and one can’t help but be marveled by their in-depth knowledge over what they report. Some noteworthy names include Harish Khare, Nirupama Subramanian, Vladimir Radyuhin, Siddharth Varadarajan, Pallavi Aiyar, P S Suryanarayana, Ramesh Thakur, P Sainath and Praveen Swami.
The Times of India on the other hand does not to my knowledge captivate the reader to that extent with its editorial. But my humble perception is that its leanings are a bit difficult to discern just from the editorials alone.
The pieces that stand out and attract good readership are the regular ‘The Speaking tree’ which has discourses by spiritual gurus apart form several motivational writings. The sacred space with some shrewdly drawn choicest inspirational quotes is another of my favorites. The two distinctly different views (Times view and counter view) provide the reader enough room to see issues from opposite perspectives immediately. It would take me some time to appreciate more the regular writers as I feel my experience is a trifle short. But the Sunday columns by Swapan Dasgupta, Shashi Tharoor, Ankleshwar Swaminathan Iyer, Shobha De and Jug Suraiya certainly hold my interest.
Finally sample this to know the starkly different editorial stands…
On Nandigram, the following is how the editorials of the two dailies read:
The Hindu: “The Governor’s public statements on Nandigram both challenged the wisdom of the government’s approach and came down on the side of the critics of its action. Further, Mr. Gandhi laid himself open to the charge of remaining silent when the supporters of the Left Front were at the receiving end. His conduct through this crisis has been constitutionally indefensible. The Central government, which depends on the Left for survival, has eventually responded to the request by the Government of West Bengal by releasing a battalion of the Central Reserve Police Force for deployment in the Nandigram region.”
The Times of India: “There are reports that the state's law enforcement machinery blinked when organised groups took human shields and 'recaptured' land and erstwhile homes of CPM workers who had been driven out of Nandigram by the Save Farmland Committee (SFC) activists. The immediate task before the government is to open a dialogue with all the aggrieved people in Nandigram. CPM leaders can lecture the governor on constitutional propriety after that.”
To conclude this comparison, I cannot but help draw attention to what Sevanti Ninan who regularly writes on ‘Media matters’ for The Hindu magazine had written in his article titled ‘Polarised coverage’ relating to the reportage on Nandigram: “Is the CPM the chief perpetrator of the current violence as The Indian Express, The Times of India and The Telegraph among others have reported? Or is it the Maoists and the Trinamool as The Hindu has reported?”
I consider it beyond my abilities of discernment to take either side.
Bangalore times V Metroplus:
The Hindu’s Metroplus is like a conservative maiden clad in a sari who expects the reader to probe and exact what he wants while BT is like a contemporary lass who draws the reader in…
On a more serious note, the Metroplus team needs to do more if it wants the readership of the Bangalore junta. It doesn’t even have the movie listings in the city which by contrast the Chennai edition provides. I wonder why this difference? BT makes no bones about what its focus is on. Covering the latest rumors mills, scandals and gossips, it is Page 3 happenings all the way…
The Hindu magazine v Times Life:
The Hindu magazine is a joy to read. With articles by Kalpana Sharma (Women’s issues), Sevanti Ninan (Media matters), V Gangadhar (Slice of Life) and many others, it has something for all age groups and classes to look forward to.
By contrast, The Times Life is aimed at the youth and the average upwardly mobile urban middle class Indian.
Another area where The Hindu emerges a clear winner is in the literary review section every month. It has interviews of established novelists and reviews of the latest releases – fiction and non-fiction, English and vernacular.
Miscellaneous:
Prominent difference also lies in the presentation of news. While The Hindu falls under the classical school in this regard, The Times of India is more favoring experimentation with a tad more success. Right from photographs to headlines of news stories, The Hindu feels it is better off being classically stylish. But it has not been without its cost.
The people in Bangalore prefer The Times of India more to The Hindu. The reasons are manifold. They range from the perception of The Hindu by some sections as more of a ‘Chennai based daily also published in Bangalore’ to its old school style of reporting.
The Hindu can do much better in some areas while The Times can also improve in some areas. If they do so, ultimately the common man in the street who awaits his newspaper by his side before his first sip of coffee is the beneficiary.
I conclude this post with the following words of George Orwell that have in them something that our journalists need to bear in mind: “A writer must never be a loyal member of a political party”.
Because if he is, it is objectivity that suffers…
Thursday, November 15, 2007
To my friend, Mani!!
I am indebted to have found you,
Thank you God for being magnanimous…
With your sweet smile, you have
Made me smile many a time.
With your soothing words, you have
Consoled my soul many a time.
With your uncanny witticism, you have
Given life to my life a countless times…
With your amazing memory, you have
Sprung many a surprise…
With your words of wisdom, you have
Raised my hopes many a time…
In your presence, I transform into
A different and better being…
Let this birthday herald a year
Of richer and happier experiences!!
Thank you God for being magnanimous…
With your sweet smile, you have
Made me smile many a time.
With your soothing words, you have
Consoled my soul many a time.
With your uncanny witticism, you have
Given life to my life a countless times…
With your amazing memory, you have
Sprung many a surprise…
With your words of wisdom, you have
Raised my hopes many a time…
In your presence, I transform into
A different and better being…
Let this birthday herald a year
Of richer and happier experiences!!
Monday, November 12, 2007
Night-mare on wheels
Of late, the TN Government is going all out to ensure that the buses it operates are eye-catching to the potential passenger. This has resulted in ‘DVD – audio’ and ‘DVD – video’ long distance buses. I implore the Government to prefix ‘Board at your own peril’ signs to them. For traveling by these buses is nothing short of a exhausting and patience-sapping experience.
It is one thing to go to a cinema hall and see movies like ‘Paruthiveeran’, ‘Aaru’ and ‘7G Rainbow colony’ and a totally another thing to be forced into seeing these movies whilst traveling. It is not that I blame the filmmakers but the work of the censor board becomes pointless. The whole journey loses its charm if loud music and crass uncensored in-your-face dialogues blare at the passenger.
Imagine sitting in a bus while Priyamani pleads with men who attempt to rape her. The opinion of the passenger is rarely solicited and the volume level is always at the maximum much to everybody’s annoyance. One can’t even hear what the person sitting next to you is trying to say!!
To top it all, the cheap songs have subtitles as if to aid people poor at understanding Tamil. One sequence read ‘If I give you big fish, you ask for exotic fish’…
Please, stop this harassment!!!
It is one thing to go to a cinema hall and see movies like ‘Paruthiveeran’, ‘Aaru’ and ‘7G Rainbow colony’ and a totally another thing to be forced into seeing these movies whilst traveling. It is not that I blame the filmmakers but the work of the censor board becomes pointless. The whole journey loses its charm if loud music and crass uncensored in-your-face dialogues blare at the passenger.
Imagine sitting in a bus while Priyamani pleads with men who attempt to rape her. The opinion of the passenger is rarely solicited and the volume level is always at the maximum much to everybody’s annoyance. One can’t even hear what the person sitting next to you is trying to say!!
To top it all, the cheap songs have subtitles as if to aid people poor at understanding Tamil. One sequence read ‘If I give you big fish, you ask for exotic fish’…
Please, stop this harassment!!!
Thursday, October 4, 2007
Indian Idol - Dreams happening!!

Sony TV would have little expected the response that the third series of Indian idol has generated among the public. The TV show has directly managed to achieve what was urgently needed – to bring a region that has long been neglected by the mainstream media and the press into the limelight at least for a few weeks.
What talent shows like Indian idol do is offer the Indian public some change form boring television serials that constantly show the Indian women in extravagant attire and long bindis backbiting and plotting against each other. I have little knowledge of music and am in no position to comment on the relative talents of singers who were part of this series and compare their abilities with people who were part of other like shows.
I vaguely remember watching the first series of the show and how the song ‘Mohabatten Lutaoonga’ was on everybody’s lips. Abhijeet has had some success so far but a start was made for Indian television nevertheless. I did not watch the second series but when this third series started, I was glued to it right from the preliminary stage of the show.
The show had its share of drama with Richa and Suhit – the former, a girl about whom the public seemed undecided as they could not figure out whether she was childish or putting on an act and the latter a stylish Delhi lad who had the attitude but not the matching talent to get him through. Ankita and Chang are two contestants the public would have found hard to vote out because of their very personalities. Ankita, a STD XII student made almost every judge dance with her boyish approach and choice of songs. Chang, a professional dentist whose ancestors are Chinese impressed all the judges with his mastery of pronunciation and originality of voice.
Among others, Abhishek from Bangalore could have been a dark horse but had only himself to blame for getting voted out. Parleen had a charming personality but couldn’t raise his standards when it was required. Deepali and Charu were unlucky to be voted out early in the finals. I was most impressed by Deepali as she was able to live up the judges’ expectation but couldn’t influence the public voting to stay in the contest.
Each contestant that made to the top twelve deserved their place. From there, it was one elimination each week ending in a final that saw three young boys vying for the top spot.
Most girls felt that the talent of the boys who made it to the finals was superior while the views of the boys was more in accordance with the judges and ultimately this got reflected in the early elimination of many girls.
Emon with his likeness to Sonu Nigam certainly deserved his place in the top three. Amit Paul from Shillong was too good in every department in which the contestants were judged but had to be satisfied with the second place ultimately. Prashant Tamang, a police constable from Darjeeling with no professional learning has finally bagged the title and his triumph means the north east has finally something to cheer.
The response and enthusiasm that the contest has managed to inspire in the people there makes one feel that it is still not late to make an effort towards lending an ear to their genuine concerns and addressing them.
The Indian public’s response to the show is understandable as they see ‘one among them’ trying to live out his/her dreams. So, the public laughed and cried with the contestants and discussed their favorite idols’ in their living rooms. It gives the common man hope that if he dreams big and works hard, his dreams too can one day see the light of the day.
What talent shows like Indian idol do is offer the Indian public some change form boring television serials that constantly show the Indian women in extravagant attire and long bindis backbiting and plotting against each other. I have little knowledge of music and am in no position to comment on the relative talents of singers who were part of this series and compare their abilities with people who were part of other like shows.
I vaguely remember watching the first series of the show and how the song ‘Mohabatten Lutaoonga’ was on everybody’s lips. Abhijeet has had some success so far but a start was made for Indian television nevertheless. I did not watch the second series but when this third series started, I was glued to it right from the preliminary stage of the show.
The show had its share of drama with Richa and Suhit – the former, a girl about whom the public seemed undecided as they could not figure out whether she was childish or putting on an act and the latter a stylish Delhi lad who had the attitude but not the matching talent to get him through. Ankita and Chang are two contestants the public would have found hard to vote out because of their very personalities. Ankita, a STD XII student made almost every judge dance with her boyish approach and choice of songs. Chang, a professional dentist whose ancestors are Chinese impressed all the judges with his mastery of pronunciation and originality of voice.
Among others, Abhishek from Bangalore could have been a dark horse but had only himself to blame for getting voted out. Parleen had a charming personality but couldn’t raise his standards when it was required. Deepali and Charu were unlucky to be voted out early in the finals. I was most impressed by Deepali as she was able to live up the judges’ expectation but couldn’t influence the public voting to stay in the contest.
Each contestant that made to the top twelve deserved their place. From there, it was one elimination each week ending in a final that saw three young boys vying for the top spot.
Most girls felt that the talent of the boys who made it to the finals was superior while the views of the boys was more in accordance with the judges and ultimately this got reflected in the early elimination of many girls.
Emon with his likeness to Sonu Nigam certainly deserved his place in the top three. Amit Paul from Shillong was too good in every department in which the contestants were judged but had to be satisfied with the second place ultimately. Prashant Tamang, a police constable from Darjeeling with no professional learning has finally bagged the title and his triumph means the north east has finally something to cheer.
The response and enthusiasm that the contest has managed to inspire in the people there makes one feel that it is still not late to make an effort towards lending an ear to their genuine concerns and addressing them.
The Indian public’s response to the show is understandable as they see ‘one among them’ trying to live out his/her dreams. So, the public laughed and cried with the contestants and discussed their favorite idols’ in their living rooms. It gives the common man hope that if he dreams big and works hard, his dreams too can one day see the light of the day.
Chak De - A refreshing start

When my friends suggested that I see ‘Chak De’, I thought ‘why should I?’ as at the outset it seemed like another masala movie in which the aged hero romances girls half his age.
The first half of the movie is a little too dramatic but the second half more than compensates with its doses of reality. Hindi cinema has of late made some bold starts with respect to the subjects it has chosen to handle but they have not been met with expected appreciation and encouragement. Movies like Swadesh, Black, Water and Omkara have proved that our filmmakers are not afraid to experiment at the cost of commercial losses.
Chak De does what very few movies have managed to do. It has the potential to make the average Indian movie-goer question his stereotypical mindset when it comes to the abilities of the sexes.
Shahrukh deserves some praise for boldly accepting to play the hockey coach of a girls’ team. In his own style, he has done credit to the role and is in most part responsible for the movie’s success. The hockey stick wielding girls have fit their roles perfectly and one is able to believe when they doubt their abilities and cheer when they defy stereotypes and beat odds.
What is the reaction of friends, lovers and parents when women want to make it big in their careers? What is the status of a sport that so badly needs encouragement if it has to be in the nation’s consciousness? Ingrained societal outlook is challenged in the movie and that is why it deserves to be seen.
The girls have managed to portray emotions to the right degrees and the viewer is forced to cheer and laugh with them when they prove to the world that if they believe in themselves, they can accomplish what they aspire to. Special mention should be of Vidya Malwade and Chitrashi Rawat who play the Captain and young forward respectively.
The first half of the movie is a little too dramatic but the second half more than compensates with its doses of reality. Hindi cinema has of late made some bold starts with respect to the subjects it has chosen to handle but they have not been met with expected appreciation and encouragement. Movies like Swadesh, Black, Water and Omkara have proved that our filmmakers are not afraid to experiment at the cost of commercial losses.
Chak De does what very few movies have managed to do. It has the potential to make the average Indian movie-goer question his stereotypical mindset when it comes to the abilities of the sexes.
Shahrukh deserves some praise for boldly accepting to play the hockey coach of a girls’ team. In his own style, he has done credit to the role and is in most part responsible for the movie’s success. The hockey stick wielding girls have fit their roles perfectly and one is able to believe when they doubt their abilities and cheer when they defy stereotypes and beat odds.
What is the reaction of friends, lovers and parents when women want to make it big in their careers? What is the status of a sport that so badly needs encouragement if it has to be in the nation’s consciousness? Ingrained societal outlook is challenged in the movie and that is why it deserves to be seen.
The girls have managed to portray emotions to the right degrees and the viewer is forced to cheer and laugh with them when they prove to the world that if they believe in themselves, they can accomplish what they aspire to. Special mention should be of Vidya Malwade and Chitrashi Rawat who play the Captain and young forward respectively.
A movie well worth the time spent…
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